
Notorious International Sets North American Push After Sumfest Clash Dominance
Notorious International is looking past the local clash circuit and toward North America, aiming to convert years of Jamaican success into recognition on a wider stage. The sound system was formed in 2010 and has steadily built its profile since a breakthrough appearance at the All-Star Boom Clash several years ago.
That early showing opened the door to a run of results that has kept the crew in the headlines. At Reggae Sumfest Global Clash 2024, Notorious International turned in one of the evening's most commanding performances, beating an international field that included Bodyguard Sound, Code Red featuring Chris Diamond, Warrior Sound from Germany, and Dynamic from Africa.
The following year brought an even sharper milestone. Its selectors overcame clash heavyweight Tony Matterhorn at Reggae Sumfest Global Clash 2025, a result that strengthened its standing among the top names in the selector trade. Matterhorn had played a dub from rapper 50 Cent and left the stage expecting to hold the advantage. Rohan 'Notorious Shabba' Henry, who founded Notorious International, said he answered with material from an artiste he called 49 Cents. "I came back and played an artiste called 49 Cents and that was it, the place shell right down to the ground," Henry recalled with a laugh.
What distinguishes Henry from many rivals is how he pairs spectacle with substance. He treats dancehall history as seriously as he treats competition, threading cultural references and historical context through sets that engage veteran fans and younger crowds alike. "Then I move on to Jamaica with sounds of festival, that's where I kill everything. But I went there mainly for Ricky Trooper and he did get it," he said.
That mix of performance and depth has made him one of the most magnetic figures in today's clash scene. With momentum behind him, Shabba and Notorious International are now charting the next leg of the journey in North America. As sound clash events draw growing audiences across the United States and Canada, the crew sees room to bring its high-energy approach to a bigger platform.
The operation has also grown into a significant economic unit, providing work for sound engineers, emcees, DJs, selectors, and dancers while lighting up stages across Jamaica and the Caribbean. For supporters, the overseas push marks the next chapter in a rapid ascent; for competitors, it reads as a clear signal that the sound is ready to test its mettle beyond home soil.
Syndicated from Jamaica Star · originally published .
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